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InklingStudio
Приєднався 18 лип 2006
Scott Cervine Principles of Magic
Scott Cervine demonstrates Principles of Magic: Appearance, Duplication Vanish, Suspension , Levitation, Penetration, Restoration, Transformation, Transposition. Posted for Educational Purposes.
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Відео
Rune Bennicke rough animation of Koda's Mom 4K version
Переглядів 98211 місяців тому
This is a high-res. repost of animation by Rune Bennicke that I posted on UA-cam 13 Years ago when 480p resolution was normal. Now here it is in 4K. Enjoy.
Fujitsu fi-5530C scanner for animation drawings
Переглядів 529Рік тому
Fujitsu fi-5530C scanner for animation drawings. A test comparing shooting with a video downshooter vs. using the Fujitsu fi-5530C scanner . www.fujitsu.com/global/products/computing/peripheral/scanners/fi/discontinued/fi5530c/fi5530c.html
Captain Hook Pencil Test - animated by Frank Thomas
Переглядів 2,3 тис.Рік тому
Capt. Hook, SEQ_11_SC_53 , animated by Frank Thomas. Higher-res. upload of this pencil test that I uploaded years ago. Again, the same caveats as before: this was made from third or fourth (fifth?) generation Xerox copies , the peg holes and drawing numbers were not visible , so I had to manually register the drawings. I think I got pretty close. There is obvious line degradation and many artif...
Dwarfs sneak animation - Frank Thomas
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Animation of the Seven Dwarfs by Frank Thomas.
Every Drawing is Important.
Переглядів 1,2 тис.2 роки тому
Discussion on Inbetweening by Richard Williams. Every Drawing is Important.
TVPaint ink & paint with BG composite (no blur)
Переглядів 2 тис.5 років тому
Alternate version to the one previously uploaded ... this one has no motion blur added. Which do you prefer ? This is an ink & paint and compositing demo done in TVPaint for my online students. The run cycle animation is from the TVPaint 'Contents and Examples' pack , animated by Tévy Dubray , colored by me , with added tones and highlights layers . Composited with a moving BG in TVPaint. The B...
TVPaint ink & paint with BG composite test
Переглядів 2,2 тис.5 років тому
This is an ink & paint and compositing demo done in TVPaint for my online students. The run cycle animation is from the TVPaint 'Contents and Examples' pack , animated by Tévy Dubray , colored by me , with added tones and highlights layers . Composited with a moving BG in TVPaint (motion blur added on the BG elements). The Background is based on an original BG by 'Bones Wolbach' www.deviantart....
Trusty Pencil test
Переглядів 14 тис.5 років тому
This was posted online , but the peg holes at the start were not aligned, so it was jittering a bit ... I stabilized the peg holes in TVPaint . The camera move is still a little shaky , but that's because at that point there were no peg holes visible , so I just left it as is .
Space Ace Title
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Space Ace Title animation. This is not computer graphics, it is a hand made model , shot on high contrast motion picture film and then painted on cels , designed by art director Mike Peraza for the title of the game "Space Ace" by Don Bluth Animation. Hand drawn special effects lighting was added over top of the lettering to make the sheen and the explosion was also hand drawn efx.
TVPaint Multiplane test - clouds and landscape
Переглядів 2,4 тис.5 років тому
Beautiful landscape painting by Renato Muccillo . Just for fun, I separated the painting into three planes and used the Multiplane camera tool in TVPaint to make this camera move exercise. renatomuccillo.com/artwork/3298748_Formations_Study.html
Milt Kahl - Medusa and Snoops animation
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Pencil test of animation by Milt Kahl for "The Rescuers".
TVPaint Snow FX test 2
Переглядів 8546 років тому
Three levels of snow , made with particles fx generator in TVPaint.
Milt Kahl Brer Rabbit Pencil Test with Final Color comparison
Переглядів 21 тис.6 років тому
Pencil test animation of a Brer Rabbit scene from Song of the South , animated by Milt Kahl, with final color scene from the film for comparison.
Milt Kahl Brer Rabbit pencil test with sound
Переглядів 24 тис.6 років тому
Added the sound and stabilized the peg holes. Here it is along with the final color scene for comparison: ua-cam.com/video/SvqPJ0aTDxc/v-deo.html
Eric Goldberg animation - Thomson Local Directory (1989)
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Eric Goldberg animation - Thomson Local Directory (1989)
Pogo Possum and Porky Pine going fishing
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Pogo Possum and Porky Pine going fishing
Lounsbery Elephant JB SEQ 08 SC 77 , version 2
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Lounsbery Elephant JB SEQ 08 SC 77 , version 2
Frank Thomas Brave Tailor animation final color
Переглядів 17 тис.7 років тому
Frank Thomas Brave Tailor animation final color
Frank Thomas Brave Little Tailor Pencil Test Slow-Motion 8fps
Переглядів 10 тис.7 років тому
Frank Thomas Brave Little Tailor Pencil Test Slow-Motion 8fps
TVPaint Multiplane Camera Test 02.19.2016
Переглядів 3,4 тис.8 років тому
TVPaint Multiplane Camera Test 02.19.2016
Incredible
Literally you are the guy who posted the video of the strong guy from the 70s; Moral of the story: A video may be more than 10 years old, but it can still be successful, don't give up on yours.
you posted a video of a scanner bringing in your pencil drawings , might I ask what program was that on the computer screen?
Wwas it this one -- 'Fujitsu fi-5530C scanner for animation drawings' ? I believe that was Toonboom Animate Pro (before it was renamed Harmony).
Oh my a god!
Its crazy how many drawings and colors go into just a 7 to 20 minute animation.... I am trying to do qnimation as a novice but have to study the fundementals and pacing of the framing.
Short film name "Roller Coaster Rabbit"
I have the original 1942 sheet music, and the penny dropped first time I read the verse nearly 50 years ago. The verse sets the context - no White Christmas in LA
Animation really lost the man made aspect to it and now animation looks better but feels like there missing something important
I'd like to know how many hours per week these people worked ansd what was their salary
The normal work week at Disney was a 40 hour work week (8 hours a day , 5 days a week) . However, often near the end of production on a film we had what was called "crunch time" for a period of weeks or even months in some cases, where we would work overtime hours. On some of the films the amount of overtime was quite extreme, with artists sometimes working 12 - 14 hour days , 6 days a week, amounting to 60 - 80 hours a week . It varied by production. Some productions had many major story changes made during production which meant that sequences had to go back into animation to be redone and that was sometimes near the end of production (but the release date for the film did not change!) hence the "crunch time". Other times the work moved along in an orderly manner and just a normal work week of 40 hours was sufficient to get everything finished on time. --- Salaries varied. It's not easy to answer that question. There was a base pay rate for each job category set by the Animation Guild (union), but many artists worked at "above scale" (higher than the base pay rate) based on their experience and skill level.
Good stuff, take long time to be made. Digital is nice and much appreciated, but it's nothing like old-school. Cel animation feels so humane and home, i just love watching these old animations just for the visuals and to get this sweet feeling. I really dont enjoy watching the new stuff, unless they really have a good plot.
So this is the scene that caused the rift between Thomas and kahl.
We need to bring this back it looks so beautiful.
Curses !
ey so cool
What I've never understand it's how they manage to match perfectly the background environment with the character, because they're draw separately on paper before being draw on celluloid. And how they was able to to animate someone who walk in water for example: you have the background environment, then the animated character and then the moving water?
Well, animators have always what we call "Layout" its the background in a simplest uncolored version and you animate on it. for the second question thats right you animate in that order, you animate the water reacting to the caracter's movement, and when you have a moving camera, you just have a bigger background. This is how it works in a simple way.
My thx.
Danke , gefällt mir sehr gut!😊
Thank you for sharing! Loving the high quality.
I re-uploaded this at much higher resolution here: ua-cam.com/video/wybZPcM_cx4/v-deo.html
This was pure genius.
we all...trust Thomson...
Great keep the hope alive❕
Bro i Miss 2d movies like the old Disney movies man seeing this makes me so happy
That sneer Brer Fox makes!
I just love this technique! So much effort and time involved that I just now realized after working at a traditional animation studio that is about to adapt a book series into a traditional celluloid film!
The animation looks amazing for an 1984 ad.
Kinda wish she had reacted to his cuddle at the end.
The dude came back with a great pecil test animation!
In my opinion, this will always be the highest form of animation, much more fluid and beautiful to watch than all the souless lazy tech crap we see on tv these days.
What’s this audio from? I know it’s song of the south but is it from a 35mm or the UK vhs
came in handy
I trust Thomson
Wow !
That horse was in fact very silly
Computers will never replace the quality of well done traditional animation.
Smooth Animation
12 years later i love it
Ironic to note that at the exact time this documentary footage was shot, Disney was phasing out hand-painted cels in favour of the CAPS process for all of their feature films. Amazing work was still done, but not at all like this.
That was beautiful!
Amazing 😍
I know I'm ultra late, but this is so smooth I love it! :0
And Hollywood was born
Fantastic miniatures!!!!! I wonder why they stop doing this good stuff.
If I were to take a guess, It would be the Fleischer Bros. leaving the studio, Plus the ever-dwindling budgets of the 50's & 60's.
Very life-like even in pencils! 🙂
The cat is very well animated. Though I wonder who voiced him.
The Xeroxing I thought was a pretty innovative use of production time but after watching this it seems like inking would have sufficed! Though I do like the scratchy quality of the Xeroxed animations
It was great to work with all these talented folks at the Disney Florida Studios. Proud to have been a part of the team that worked on Rollercoaster Rabbit, Rescuers Down Under, and Beauty and the Beast.
Same here, Matt. Although I was at the Burbank studio from 1987 - 1995 . I didn't start working at the Florida studio until I transferred there in the summer of 1995, starting on Mulan (1998) , then Lilo & Stitch (2002) , and finally Brother Bear (2004) I don't think we ever had occasion to meet in person, but you were always highly spoken of by other artists at the FL studio when I was there.
@@InklingStudio Great to hear. You worked with a lot of people I know...and someone I married!
Is that James Baxter
This silly horse walk was animated by Richard Williams .
How the heck are the stripes literally perfect and kept their shape while moving the body wh-